The Mask problematizes the impossibility of ideal identity cover, as seen in popular movies or everyday life. The situation provoked by this work (The Mask) is a depiction of a situational crisis of the art scene often reduced to “give me your money or…”, when one has to literally grab what is needed. Nikoletić “is a classic opportunist, prone to corruption. My art is personal, it bastes all over. Instinctively, I find ways to go in the direction I want, pretending to be naïve. Feeling of guilt is absent very often.” Dragana Nikoletić (b.1966) in Belgrade. In 1993 she discontinued her studies of art to make a career as a freelance journalist. After 2015 she continued her MA studies at Faculty of Fine Arts. dragana.nikoleta@gmail.com